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tour in April 2001 was punctuated by a radio session for John Peel's BBC program, which expanded the band's audience overseas. Regular appearances at New York venues like Brownie's and the Mercury Lounge helped endear Interpol to local audiences. After the band's first gigs in early 2000, Drudy vacated his position and was replaced by drummer Sam Fogarino.
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Having settled on an initial lineup, Interpol became a fully active band in 1998 and began issuing a series of 8-track recordings. Carlos Dengler, another NYU student who had previously played guitar, joined as the group's bassist - and by sheer coincidence, Kessler later bumped into Paul Banks, a guitarist/vocalist whom Kessler had spent time with in France.
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Nevertheless, the band remained rooted in America, where guitarist Daniel Kessler and drummer Greg Drudy first struck up a musical partnership while attending New York University. Interpol also had a striking visual presence marked by the members' fondness for suits, which only strengthened their stately, British-influenced appeal. The group took its cues from Joy Division and the Chameleons, fashioning a darkly atmospheric sound helmed by intricate guitars and Paul Banks' somber baritone. Styles: Indie Rock, Alternative, New Wave, Post-PunkĢ002 Turn on the Bright Lights (two versions)Ģ012 Turn on the Bright Lights (2 CD Remaster)Īlthough formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival.